James Vincent McMorrow | Zoom 10-16

19 – James Vincent McMorrow – Get Low – 2016
18 – James Vincent McMorrow – Rising Water – 2016
17 – James Vincent McMorrow & Kygo – I’m in Love – 2016
16 – James Vincent McMorrow – Glacier – 2015
15 – James Vincent McMorrow – Gold – 2014
14 – James Vincent McMorrow – Look Out – 2014
12 – James Vincent McMorrow & No Ceremony – AwayFromHere – 2013
11 – James Vincent McMorrow – Red Dust – 2013
10 – James Vincent McMorrow – Cavalier – 2013
9 – James Vincent McMorrow – Higher Love – 2012
8 – James Vincent McMorrow – Wicked Game – 2011
7 – James Vincent McMorrow – We Don’t Eat – 2011
4 – James Vincent McMorrow – Follow You Down to the Red Oak Tree / Third Star – 2010
3 – James Vincent McMorrow – This Old Dark Machine – 2010
2 – James Vincent McMorrow – Sparrow & the Wolf – 2010

James Vincent McMorrow | #jamesvincentmcmorrow
[1983-…], Dublin, Dublin, Ireland

James Vincent McMorrow is an Irish singer and songwriter.

McMorrow’s debut album, Early in the Morning, was released in Ireland in 2010, and in the United States and Europe in 2011, to widespread acclaim.

In 2014, James Vincent McMorrow released his second album, Post Tropical, which included the song « Glacier ». The song was used in the 2014 Spanish Christmas Lottery advertising campaign.

In 2015, he composed a film score for the short, “Martha”, directed by Sam Benenati. The film was part of the series Campaign4Change “Mix-Up Tradition” launched by Ray Ban with the idea of sponsoring emerging directors and composers collaborate as a creative team.

In 2016, his cover of the Chris Isaak song « Wicked Game » was used in the first official full-length trailer for the sixth season of the HBO hit series Game of Thrones. In April 2016, he was featured on the promotional single « I’m in Love » from Kygo‘s debut album, Cloud Nine.

In July 2016, McMorrow announced his third studio album and released « Rising Water », its lead single. We Move was produced by McMorrow, Nineteen85, Frank Dukes and Two Inch Punch, and was released on 2 September 2016. It marks a shift in McMorrow’s style towards more R&B-tinged sounds.
[Wikipedia]

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